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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
Alto.		10	0	1	5	100%
Basso.		15	0	4	4	100%
Fagotti.		15	0	4	4	100%
Flauti traversi.		11	0	2	4	100%
Oboi.		11	0	2	4	100%
Organo e Continuo.		15	0	4	4	100%
Soprano.		11	0	2	4	100%
Tenore.		10	0	2	5	100%
Viola		10	0	2	6	100%
Violino I.		11	0	2	4	100%
Violino II.		10	0	1	5	100%
Violone.		15	0	4	4	100%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

14. Allein Gott in der Höh' sei Ehr', BWV 112.5.

SDG

0:53	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		18	0	5	4	100%
		18	0	5	4	100%
Violin		8	0	2	4	50%
		6	0	1	5	100%
Horn in F		8	0	0	5	100%
Oboe		6	0	1	5	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		18	0	5	4	100%
Viola		9	0	1	4	100%
Oboe col Alto		9	0	2	4	70%
Contrabass		12	0	4	2	50%
Violoncello		12	0	4	2	50%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
Oboe		10	0	2	5	45%
		7	0	1	4	100%
Violin		11	0	2	5	45%
		7	0	1	4	100%
C Trumpet		12	0	1	4	95%
Soprano/Alto		15	0	3	5	95%
Contrabass		13	0	0	4	91%
Viola		13	0	3	4	91%
Violoncello		13	0	0	4	91%
Tenor/Bass		18	0	3	6	86%
Timpani		2	0	0	4	82%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: III. Allegro

Samuel Ricke

11:54	Est. Play Time
124	Measures
	4,295Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		22	46	7	5	100%
		26	0	9	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		22	46	7	5	100%
		26	0	9	5	100%
Violoncello.		26	0	9	5	100%
Violone.		26	0	9	5	100%
Violino piccolo.		25	3	8	6	83%
Violino I.		25	0	7	6	82%
Violino II.		22	0	7	6	78%
Oboe I.		23	0	7	6	78%
Viola.		22	0	5	4	78%
Oboe II.		18	0	5	5	74%
Oboe III.		14	0	3	4	74%
Fagotto.		22	0	6	3	73%
Corno I.		11	0	1	6	59%
Corno II.		10	0	2	5	52%

230. Lobe den Herren, den mächtigen König der Ehren. BWV 137/5, BWV 120a.

SDG

0:50	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		9	0	2	5	50%
		8	0	0	7	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		9	0	2	5	50%
		8	0	0	7	100%
C Trumpet		12	0	2	6	100%
Soprano		8	0	0	7	100%
Soprano/Alto		14	0	2	7	100%
Tenor/Bass		16	0	1	5	100%
Viola		9	0	1	4	100%
Timpani		2	0	0	6	89%
Contrabass		12	0	0	5	51%
Violoncello		12	0	0	5	51%

131. Herr Gott, dich loben alle wir. BWV 130/6

SDG

0:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		8	0	0	4	100%
Oboe I		8	0	0	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		8	0	0	4	100%
Oboe I		8	0	0	4	100%
Soprano		8	0	0	4	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	2	4	100%
Viola		8	0	0	4	100%
Violin I		8	0	0	4	100%
Timpani		2	0	0	2	71%
C Trumpet		12	0	0	3	68%
Oboe II		8	0	2	4	50%
Violin II		8	0	2	4	50%
Contrabass		17	0	2	3	46%
Violoncello		17	0	2	3	46%

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